What happens when a federal judge who believes in the law meets a nun who answers to a higher authority?

 In Handy Dandy, acclaimed American playwright William Gibson—best known for his Broadway classics The Miracle Worker and Two for the Seesaw—brings his trademark wit, intelligence, and compassion to a riveting theatrical duel between two formidable personalities. First produced in New York in the mid-1980s, the play quickly drew attention for its crackling dialogue and its vivid portrait of two people whose convictions refuse to bend.

When a passionate nun is arrested for protesting a nuclear power facility, the weary federal judge assigned to her case expects a routine hearing and a quick resolution. Instead, he finds himself drawn into a long night of spirited debate with a woman whose moral certainty proves every bit as stubborn as his own. As arguments fly and tempers flare, sharp humor and unexpected moments of understanding begin to emerge, revealing the deeply human hearts behind their opposing beliefs.

Inspired in part by the real civil-disobedience protests of the era, Handy Dandy transforms what might have been a political confrontation into something far richer: a lively clash of wit, conscience, skepticism, and reluctant admiration. Critics praised Gibson’s play as “a vigorous, intelligent duel of personalities,” celebrating the playwright’s gift for blending sparkling dialogue with genuine warmth.  By turns funny, provocative, and deeply humane, Handy Dandy proves that the most compelling drama can arise when two remarkable people simply refuse to agree.

Phoebe Greyson plays Sister Molly Egan and Fil Formicola plays Judge Henry Pulawski.  Catherine Bryne directs.

Performance dates are Wednesday, March 18 and Thursday, March 19

At the Santa Ana Theater at the Biblioteca Pública

Calle Relox #50A

Tickets sold only at the door for $100 pesos.

First come first served.

House opens at 5:30 pm, show time 6:00pm